Products related to Music:
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Editing Early Music
Editing Early Music is designed as a guide to editorial procedures suitable for music written from the Middle Ages to about 1830.Some of the suggestions are relevant to the editing of any music no longer in copyright.There is an introductory chapter on the principles of editing and transcribing, followed by three chronologically arranged chapters devoted to medieval and early renaissance music, the Renaissance, and baroque and classical music.The final chapter deals with the preparation of copy and other practical matters.Some of the technicalities are presented in the form of tables and appendices; there are musical illustrations and sample score-layouts, and a bibliography.While the book does not aim to descript early notations in detail, some of the basic information is conveyed, particularly through the extensive discussion of such matters as reduced time values and the treatment of accidentals. For this revised edition, the author has incorporated a number of corrections, brought the bibliography up to date, and added a Postscript on stemmatics and textual criticism.
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The Names of Minimalism : Authorship, Art Music, and Historiography in Dispute
Minimalism stands as the key representative of 1960s radicalism in art music histories—but always as a failed project.In The Names of Minimalism, Patrick Nickleson holds in buzzing tension collaborative composers in the period of their collaboration, as well as the musicological policing of authorship in the wake of their eventual disputes.Through examinations of the droning of the Theatre of Eternal Music, Reich’s Pendulum Music, Glass’s work for multiple organs, the austere performances of punk and no wave bands, and Rhys Chatham and Glenn Branca’s works for massed electric guitars, Nickleson argues for authorship as always impure, buzzing, and indistinct. Expanding the place of Jacques Rancière’s philosophy within musicology, Nickleson draws attention to disciplinary practices of guarding compositional authority against artists who set out to undermine it.The book reimagines the canonic artists and works of minimalism as “(early) minimalism,” to show that art music histories refuse to take seriously challenges to conventional authorship as a means of defending the very category “art music.” Ultimately, Nickleson asks where we end up if we imagine the early minimalist project—artists forming bands to perform their own music, rejecting the score in favor of recording, making extensive use of magnetic type as compositional and archival medium, hosting performances in lofts and art galleries rather than concert halls—not as a utopian moment within a 1960s counterculture doomed to fail, but as the beginning of a process with a long and influential afterlife.
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Music Management, Marketing and PR
This book is your guide to the study and practice of music management and the fast-moving music business of the 21st century. Covering a range of careers, organisations, and practices, this expert introduction will help aspiring artists, managers, and executives to understand and succeed in this exciting sector. Featuring exclusive interviews with industry experts and discussions of well-known artists, it covers key areas such as artist development, the live music sector, fan engagement, and copyright.Other topics include: Managing contracts and assembling teams.Using data audits of platforms to adapt campaigns. Shaping opinions about music, musicians, events. How the music industry can be more diverse, inclusive, and equitable for the benefit of all.Working with venues, promoters, booking agents, and tour managers.Branding, sponsorship, and endorsement. Funding, crowdsourcing and royalty collection. Ongoing digital developments such as streaming income and algorithmic recommendation. Balancing the creative and the commercial, it is essential reading for students of music management, music business, and music promotion – and anybody looking to build their career in the music industries. Dr Chris Anderton, Johnny Hopkins, and James Hannam all teach on the BA Music Business at the Faculty of Business, Law and Digital Technologies at Solent University, Southampton, UK.
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Freak Scenes : American Indie Cinema and Indie Music Cultures
The first academic book to explore indie music and indie music cultures on screenCombines historical, cultural, aesthetic and industry analysis to explore the functions and broader appeal of indie music on filmIncludes analyses of indie punk scenes on filmExamines gender and racial issues within indie music and filmFreak Scenes explores the increased licensing of indie music and representation of indie music cultures within American independent cinema since the 1980s.Indie music has, since the 2000s, become highlighted in some indie films as an attraction, but this book probes how the appeal of indie music stretches back to the late 1970s, when punk music made its impact on filmmaking. Sexton looks at a range of issues where indie music and indie film intersect, including commercial concerns, the growth of niche marketing, the increased employment of popular music in cinema and questions of authenticity, as well as the fraught tensions between commercial and artistic concerns.Case studies include: sonic authorship and indie music, representations of punk and indie scenes on screen, and an exploration of how racial and gender issues inform the representation and reception of indie cultures on film.
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Where can music royalties be reported?
Music royalties can be reported on various tax forms, depending on the type of royalty income received. For example, if the royalties are from the sale or use of musical compositions, they may be reported on Schedule E (Supplemental Income and Loss) of Form 1040. If the royalties are from the performance of music, they may be reported on Schedule C (Profit or Loss from Business) if the individual is considered self-employed. Additionally, if the royalties are from digital streaming services, they may be reported on Form 1099-MISC or Form 1099-K. It's important to consult with a tax professional to ensure that music royalties are reported accurately and in compliance with tax laws.
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Where can one report music royalties?
Music royalties can be reported to the relevant performing rights organization (PRO) that collects and distributes royalties on behalf of songwriters, composers, and music publishers. Some of the major PROs include ASCAP, BMI, and SESAC in the United States. These organizations track the usage of music in various mediums and ensure that the rightful owners receive their royalties. Additionally, music royalties can also be reported to digital music streaming platforms or record labels, depending on the specific licensing agreements in place.
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'How do you like indie music?'
I love indie music because it often showcases unique and innovative sounds that you may not hear in mainstream music. I appreciate the creativity and authenticity that indie artists bring to their music, as well as the sense of intimacy and connection that their songs can evoke. Indie music has a way of resonating with me on a deeper level and I enjoy discovering new indie artists and supporting their work.
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'How do you feel about indie music?'
I think indie music is a diverse and creative genre that allows artists to express themselves freely. I appreciate the unique sounds and experimental nature of indie music, as well as the DIY ethos that often accompanies it. I enjoy discovering new indie artists and supporting their work, as it often brings a fresh perspective to the music industry.
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Web Marketing for the Music Business
Learn to create a powerful online presence that captures your audience by exposing them to the sights and sounds of your band or music project and allowing them to easily become paying fans.Web Marketing for the Music Business second edition includes updated basics and advice on website creation: * Setting up your website and website design* Selecting your domain name and host* Using HTML, Java, widgets, Flash, and RSS to charge up your websiteNew! * Using search engine optimization (SEO) methods for the best search engine rankings New! * Maximizing social media sites like Facebook, YouTube, and Twitter for easy sharing by fans* Monitoring site traffic and using analytic tools* Adding audio and video to your site* Choosing and using commercial download services* Creating and managing an online store* Finding your market online* Creating a mobile website and mobile media campaignMarket your band using sites like Facebook, SonicBids, and ReverbNation, where fan interaction is key, and fan-generated content can be encouraged.Learn techniques to coordinate your offline and online promotions for maximum impact.Drawing on his own experience and the knowledge of industry experts, author Tom Hutchison brings you solid marketing advice.The companion website for the book, www.focalpress.com/cw/hutchison, gives you more on the ever-changing world of online promotion.This is the perfect book for do-it-yourself musicians, managers, and labels who want to maximize sales and exposure or industry professionals seeking information on new media.
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A Performer's Guide to Transcribing, Editing, and Arranging Early Music
A Performer's Guide to Transcribing, Editing, and Arranging Early Music provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences.First, the book provides instruction on using early sources-manuscripts, prints, and treatises-in score, parts, or tablature.It then illuminates priorities behind basic editorial decisions-determining what constitutes a "version" of a musical piece, how to choose a version, and how to choose the source for that version.Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.Drawing on methods based on early models (for example, how baroque composers arranged the music of their contemporaries), Alon Schab pays tribute to the ideas and ideals promoted by the pioneers of the early music revival and examines how these could be implemented in an early music field revolutionized by technology and unprecedented artistic independence.
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Art Sex Music
A SUNDAY TIMES, TELEGRAPH, ROUGH TRADE, PITCHFORK AND UNCUT MUSIC BOOK OF THE YEARSHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZEMusician and artist Cosey Fanni Tutti has continually challenged boundaries and conventions for four decades.As a founding member of the hugely influential avant-garde band Throbbing Gristle, as one half of electronic pioneers Chris and Cosey, and as an artist channelling her experience in pornographic modelling and striptease, her work on the margins has come to reshape the mainstream.Shocking, wise and life-affirming, Art Sex Music is the fascinating memoir of an inspirational woman.
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Dog Music Pop Art Poly Design Sculpture In Multicolor
FEATURES: Material: Polyresin Finish: Multicolor Stunning multicolor finish Made in Polyresin material Stylish and unique design piece of furniture Available at an affordable price Images shown are for illustration purpose only DIMENSIONS: Length: 20. 5cm Width: 13cm Height: 30cm
Price: 66.95 £ | Shipping*: 0 £
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"Looking for alternative indie music. Any suggestions?"
Sure! Some alternative indie music suggestions could include artists like Tame Impala, Arctic Monkeys, The Strokes, Vampire Weekend, and Alt-J. These artists have a unique sound that blends elements of indie rock, alternative, and other genres, making them a great choice for someone looking for something different. Additionally, exploring indie music festivals and playlists on platforms like Spotify or Apple Music can also help discover new and emerging indie artists.
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'Music or art?'
Both music and art are forms of expression that can evoke powerful emotions and connect people on a deep level. While music has the ability to transcend language barriers and directly impact our emotions, art allows for visual interpretation and can stimulate creativity and imagination. Ultimately, the choice between music and art comes down to personal preference and the individual's unique connection to each form of expression.
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Is a music composition uploaded on YouTube a proof of authorship?
Uploading a music composition on YouTube can serve as evidence of authorship, as it provides a public record of the creation and ownership of the work. However, it may not be sufficient on its own to establish legal proof of authorship. It is important to also consider other forms of documentation, such as copyright registration, to fully protect the rights of the creator. Additionally, it is advisable to include clear copyright notices and information about the author in the video description or accompanying materials to further establish authorship.
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Which editing program is suitable for editing music?
One of the most popular editing programs for editing music is Pro Tools. It is widely used in the music industry for its powerful editing capabilities and professional-grade features. Other popular options include Logic Pro, Ableton Live, and FL Studio, which are also commonly used by musicians and producers for editing and creating music. Ultimately, the best editing program for music will depend on the specific needs and preferences of the user.
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