Products related to Performance:
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Marketing Chinese Children's Books : Paratext and the Politics of Authorship
An exploration of the marketing, presentation and construction of popular Chinese children's authors for their youthful audience, parents and teachers, Marketing Chinese Children's Books surveys the internal and international dissemination of children’s books and of international influences in the marketing of children’s literature. Focusing on the paratextual elements of contemporary Chinese literature written for children such as author photographs, this book reveals the political constraints on the position of popular children's author in the People's Republic of China after the Cultural Revolution. Taking the publications of Cao Wenxuan (the first Chinese recipient of the Hans Christian Anderson Award), Yang Hongying, Shen Shixi and Gerelchimeg Black Crane as case studies, Frances Weightman considers how the marketing of these authors presents them as academic and political authorities to be emulated and trusted, how they are demonstrative of the commercialism in children's literature and what they expose about the different ways in which popular authors are promoted based on their gender, nationality and ethnicity.Also surveying the uses of animals in Chinese literature and the issues relating to language and translation when these works are promoted throughout the West, this is a timely study of the construct of authorship coinciding with the rapid expansion of children's literature publishing in China and its reception on the world stage.
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Film Editing : Emotion, Performance and Story
Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film.The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer.Three interrelated aspects, Emotion, Performance and Story, influence this decision-making.Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience.With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film.Examples are closely analysed and discussed using frame grabs, graphics and plans.The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally.Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies.Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world.
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Scenography and Art History : Performance Design and Visual Culture
Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields.It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions.With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events.It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly.The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events.It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts.Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
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Shakespeare / Text : Contemporary Readings in Textual Studies, Editing and Performance
Shakespeare / Text sets new agendas for the study and use of the Shakespearean text.Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare – and early modern drama more broadly – changes radically when 'either/or' approaches to the Shakespearean text are reconfigured.The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.
Price: 34.99 £ | Shipping*: 0.00 £
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Ideas for performance art are being sought.
If you are looking for ideas for performance art, consider exploring themes such as identity, social justice, or environmental issues. You could also experiment with different mediums such as dance, music, or spoken word to convey your message. Collaborating with other artists or community members can also help generate unique and impactful ideas for your performance art piece.
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Which editing program is suitable for low-performance PCs?
For low-performance PCs, a lightweight editing program such as Adobe Photoshop Express or GIMP would be suitable. These programs require less processing power and memory, making them more accessible for low-performance PCs. Additionally, they offer basic editing features and are less resource-intensive compared to more advanced editing software like Adobe Photoshop or Lightroom.
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Which Linux distribution is suitable for low-performance hardware?
A Linux distribution that is suitable for low-performance hardware is Lubuntu. Lubuntu is a lightweight version of Ubuntu that uses the LXQt desktop environment, making it more resource-efficient and ideal for older or less powerful hardware. It requires fewer system resources compared to other Linux distributions, allowing it to run smoothly on low-performance hardware without compromising on functionality. Additionally, Lubuntu provides a user-friendly interface and access to a wide range of software applications, making it a great choice for users looking to breathe new life into their older machines.
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What were the artistic intentions in performance art?
Performance art was intended to challenge traditional forms of art by breaking down the boundaries between art and everyday life. Artists sought to create experiences that were immediate, visceral, and often confrontational, aiming to provoke emotional and intellectual responses from the audience. Performance art also aimed to blur the distinction between the artist and the artwork, often incorporating the artist's own body and actions as the medium of expression. Overall, the intention was to push the boundaries of what could be considered art and to engage the audience in a more direct and participatory way.
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Performance in Contemporary Art
Stunningly beautiful, deeply puzzling, profoundly moving or intensely unsettling – performance art can evoke a wide variety of responses.In this important and richly illustrated book, Catherine Wood, one of the world’s leading curators and writers on the subject, provides the broadest and most up-to-date survey published in recent years. Wood proposes performance not as a genre of art separate from object-making but as an attitude that has infiltrated the entire terrain of contemporary art.From the musical-theatricals of Marvin-Gaye Chetwynd to the public encounters created by Tino Seghal and the social activism of Tania Bruguera, a hugely divergent set of practices has emerged in the past twenty to thirty years which embrace the worlds of sculpture and painting, spectacle and protest.Examining in turn individual, social and object-based approaches in the field, Wood first examines the influential performance art of the 1960s to 1980s: the body art of the Viennese actionists; the raw performances of Yoko Ono and Chris Burden; and the experiments of the Japanese Gutai group among others.She then explores how these sources have been revisited, reformed or rejected by contemporary artists in the twenty-first century. This impressive book encompasses international artists who fall outside the traditional European and North American focus, giving the reader the broadest and most up-to-date insight into the subject yet published.
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Live Art and Performance
Live, or performance, art is one of the most controversial and hotly discussed areas of art practice to emerge in the second half of the twentieth century.The history of live art is one of challenge to audiences, art traditions and cultural values.With elements of performance now part of the practice of many of today's best-known artists, and boundaries between visual art, theatre and live art more and more blurred, this collection is long overdue.Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.Hugo Glendinning's stunning colour photographs of performance events are combined with numerous essays examining the political, philosophical and cultural resonances of the work of a diverse range of international live artists, both historical and contemporary.Accessible, critically astute and expansive, Live is an indispensable resource for all those with an interest in some of the most vibrant and contested issues in art today.
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Costume Design for Performance
Costume Design for Performance offers a detailed insight into the creative process behind designing costumes for the performing arts, including theatre, opera, dance and film.Guiding the reader through the essential steps of the designing process, Bettina John combines extensive knowledge of the industry with insights gleaned from leading experts in the performing arts.Featuring over 200 original artworks by more than thirty designers, this book gives a rare insight into this highly individual and creative process.Topics covered include script analysis; in-depth research techniques; practical techniques to explore design; basic drawing techniques; character development; the role of the costume designer and wider team and finally, advice on portfolio presentation.
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Performance of Absence in Theatre, Performance and Visual Art
This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning.The book encourages active engagement with theatre theory and performances.Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre.Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art, and philosophy.
Price: 39.99 £ | Shipping*: 0.00 £
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'How do I improve performance when editing in After Effects?'
To improve performance when editing in After Effects, you can try the following tips: 1. Use a powerful computer with a fast processor, plenty of RAM, and a dedicated graphics card to handle the heavy processing demands of After Effects. 2. Utilize the disk cache feature to store temporary files on a fast SSD drive, which can speed up the rendering and playback of your compositions. 3. Optimize your composition by pre-rendering or using proxies for complex layers or effects to reduce the strain on your system. 4. Close unnecessary applications and background processes to free up system resources for After Effects. 5. Consider using the "Render Multiple Frames Simultaneously" feature to distribute the rendering workload across multiple CPU cores for faster processing.
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How can performance art be implemented in a classroom?
Performance art can be implemented in a classroom by incorporating activities that allow students to express themselves through movement, music, and storytelling. Teachers can encourage students to create and perform their own pieces of performance art, such as dance routines, spoken word poetry, or short skits. Additionally, teachers can use performance art as a way to explore historical or cultural topics, by having students research and reenact significant events or figures. By integrating performance art into the classroom, students can develop their creativity, confidence, and communication skills.
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Which performance would you choose for the E-Scooter?
I would choose a high-performance electric motor for the E-Scooter. This would provide quick acceleration and higher top speeds, making the scooter more fun and practical for daily use. Additionally, a high-performance motor would also allow for better handling and maneuverability, enhancing the overall riding experience. Overall, a high-performance electric motor would make the E-Scooter a more attractive and competitive option in the market.
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How do I design a cover page for art?
When designing a cover page for art, consider using a visually striking image that represents the theme or subject of the art. You can also incorporate elements such as bold typography, color schemes, and textures that complement the artwork and create a cohesive design. Additionally, think about the overall mood or feeling you want to convey with the cover page and use design elements to evoke that emotion. Lastly, make sure to balance the visual elements and negative space to create a clean and impactful design.
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