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Authorship, Worldview, and Identity in Medieval Europe
What did medieval authors know about their world? Were they parochial and focused on just their monastery, town, or kingdom? Or were they aware of the broader medieval Europe that modern historians write about?This collection brings the focus back to medieval authors to see how they described their world.While we see that each author certainly had their own biases, the vast majority of them did not view the world as constrained to their small piece of it.Instead, they talked about the wider world, and often they had informants or textual sources that informed them about the world, even if they did not visit it themselves.This volume shows that they also used similar ideas to create space and identity – whether talking about the desert, the holy land, or food practices in their texts.By examining medieval authors and their own perceptions of their world, this collection offers a framework for discussions of medieval Europe in the twenty-first century.
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Strategic Brand Design : Designing Brand Identity From a Marketing Perspective
Translated from its original Dutch, Strategic Brand Design offers students and professionals a clear overview of the most important steps in developing brand identity from a marketing perspective.It aims to bridge the gap between marketer and designer by containing all the knowledge that both parties need to understand and work together successfully on branding projects. Consisting of four parts, the book begins with a clear explanation of the most important marketing concepts in part 1, followed by a clear step-by-step plan for research and strategy in part 2.Part 3 provides a comprehensive toolkit for brand design based upon that strategy, while part 4 contains a plethora of methods, tools and models for practice as well as questions and assignments to support classroom teaching. Practical, accessible and firmly grounded in research and theory, this book is an ideal reference guide for higher vocational students and students on modules and programs relating to the fields of brand, design, marketing and communication.
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Learning Digital Identity : Design, Deploy, and Manage Identity Architectures
Why is it difficult for so many companies to get digital identity right?If you're still wrestling with even simple identity problems like modern website authentication, this practical book has the answers you need.Author Phil Windley provides conceptual frameworks to help you make sense of all the protocols, standards, and solutions available and includes suggestions for where and when you can apply them. By linking current social login solutions to emerging self-sovereign identity issues, this book explains how digital identity works and gives you a firm grasp on what's coming and how you can take advantage of it to solve your most pressing identity problems.VPs and directors will learn how to more effectively leverage identity across their businesses. This book helps you:Learn why functional online identity is still a difficult problem for most companiesUnderstand the purpose of digital identity and why it's fundamental to your business strategyLearn why "rolling your own" digital identity infrastructure is a bad ideaDifferentiate between core ideas such as authentication and authorizationExplore the properties of centralized, federated, and decentralized identity systemsDetermine the right authorization methods for your specific applicationUnderstand core concepts such as trust, risk, security, and privacyLearn how digital identity and self-sovereign identity can make a difference for you and your organization
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Gluck : Art and Identity
Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain.This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history.Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers.Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity.Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. Published in association with the Brighton Museum & Art Gallery and London College of FashionExhibition Schedule:Brighton Museum & Art Gallery, England (11/18/17–03/11/18)
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What is the difference between Corporate Identity and Corporate Design?
Corporate identity refers to the overall image and perception of a company, including its values, mission, and personality. It encompasses the company's culture, behavior, and communication style. On the other hand, corporate design focuses specifically on the visual elements of a company, such as its logo, color scheme, typography, and overall visual aesthetic. While corporate identity is more about the intangible aspects of a company's image, corporate design is about the tangible visual elements that represent the company.
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What creates identity?
Identity is created through a combination of factors such as personal experiences, cultural background, social interactions, and self-perception. Our upbringing, beliefs, values, and relationships all play a role in shaping who we are and how we see ourselves. Additionally, external influences such as societal norms, media representation, and historical context can also impact our identity formation. Ultimately, identity is a complex and multifaceted concept that is continuously evolving as we navigate through life.
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Who is responsible for the design of the last identity card?
The design of the last identity card is typically the responsibility of a government agency or department that oversees identification and documentation. This may involve collaboration with graphic designers, security experts, and other relevant professionals to ensure the card meets security standards and is visually appealing. The design process may also involve input from stakeholders and the general public to ensure the card meets the needs and expectations of its users.
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Which martial art does Jason Bourne practice in The Bourne Identity?
In The Bourne Identity, Jason Bourne practices a form of martial arts that combines elements of Filipino Kali, Jeet Kune Do, and Krav Maga. This unique blend of martial arts allows Bourne to efficiently and effectively neutralize his opponents in hand-to-hand combat. The fight scenes in the movie showcase Bourne's proficiency in these martial arts, as he uses quick and precise movements to take down multiple attackers.
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Identity Design : Design the Identity You Need to get the Life You Want
If you’re not happy most of the time it’s not because you don’t have what you want, it’s because you don’t know who you are.Identity Design is the research-driven guide to powerful and generous living.If you want more meaning in your life, you need to answer this question: Who do you want to be?Written by Judge Frank, a juvenile Court judge in Detroit who has spent years transforming the lives of young people facing extreme challenges, this is a personal manual for identity design
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Manuals 2 : Design & Identity Guidelines
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Oriental Interiors : Design, Identity, Space
Since the publication of Edward Said’s groundbreaking work Orientalism 35 years ago, numerous studies have explored the West’s fraught and enduring fascination with the so-called Orient.Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios.It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.
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Entrepreneurial Identity and Identity Work
Identities can potentially serve as powerful elements that both drive, and are shaped by, entrepreneurial actions.Entrepreneurial identity is a complex construct with multidisciplinary roots, and therefore there is scope to more fully enrich our theoretical understanding of identity and identity formation, at both individual and organizational levels, and their relationship to entrepreneurial processes, practices and activities.This book highlights two key features of contemporary research on entrepreneurial identity.First, to see it as a dynamic rather than a (relatively) fixed and unchanging feature, shaped by different life episodes.It is increasingly fluid, multilevel and multidimensional, comprising multiple subidentities rather than a univocal (and unchanging) self.As such, it has a profound effect not only on the way we feel, think and behave, but also on what we aim to achieve.Accordingly, it is vital that its dynamics are better understood, particularly in determining how actors behave in an entrepreneurial context.The book’s second focus is on identity work as the process through which entrepreneurial identities are formed and shaped, and the contributors demonstrate how the dynamics of identity formation relate to entrepreneurial outcomes in a range of individual and organizational contexts.This book was originally published as a special issue of Entrepreneurship & Regional Development.
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What is gender identity?
Gender identity is a deeply-held sense of one's own gender, which may or may not align with the sex assigned at birth. It is a personal understanding of oneself as male, female, a blend of both, or neither. Gender identity is separate from biological sex and can be fluid and diverse, encompassing a wide range of identities beyond the traditional binary of male and female. It is an integral aspect of a person's identity and how they perceive themselves in relation to the world.
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What is identity politics?
Identity politics refers to the political activity and movements that are based on the shared experiences and identities of specific social groups, such as race, gender, sexual orientation, or religion. It involves organizing and advocating for the rights and interests of these groups, often in response to systemic discrimination and inequality. Identity politics seeks to address the unique challenges and perspectives of marginalized communities and to promote social justice and equality for all individuals.
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What is Supergirl's identity?
Supergirl's identity is Kara Zor-El, a Kryptonian who is the cousin of Superman. She is also known as Kara Danvers, her human alter ego. As Supergirl, she possesses superhuman strength, speed, and the ability to fly, and she uses her powers to protect the Earth from various threats. In her civilian identity as Kara Danvers, she works as a reporter and tries to balance her personal life with her superhero responsibilities.
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Is gender identity sexist?
Gender identity itself is not inherently sexist. Gender identity is a deeply personal and individual experience that reflects a person's internal sense of their own gender, which may or may not align with the sex they were assigned at birth. However, societal norms, expectations, and stereotypes around gender can be sexist, as they often reinforce traditional gender roles and perpetuate inequality between genders. It is important to separate the concept of gender identity from these societal constructs in order to promote understanding and acceptance of diverse gender identities.
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